UBERMORGEN.COM
PRESSFOLDER ENGLISH
Contact ..
UBERMORGEN.COM
Favoritenstrasse 26/5
A-1040 Vienna / Austria
+43 (0)650 930 0061
|
|
CV
Known
Aliases: hans_extrem, etoy.HANS, etoy.BRAINHARD, David Arson, Dr. Andreas
Bichlbauer, h_e, net_CALLBOY, Luzius A. Bernhard, Andy Bichlbaum, Bart
Kessner. |
Visual Communications, digit Art, Art History and
Aesthetics at the University for applied Art Vienna (Austria), UCSD University
of California San Diego (Lev Manovich),
Art Center College of Design in Pasadena (Peter Lunenfeld and Norman
Klein) and at the University Wuppertal (Bazon Brock). Master in fine art from
the University of applied Art Vienna. Hans is a professional artist and
creative thinker, working on art projects, researching digital networks,
exhibiting and travelling the world lecturing at conferences and Universities.
Founding member of etoy (the etoy.CORPORATION) and UBERMORGEN.COM.
"His style can be
described as a digital mix between Andy Kaufman and Jeff Koons, his actions can
be seen as underground Barney and early John Lydon, his
"Gesamtkunstwerk" has been described as pseudo duchampian and
beuyssche and his philosophy is best described in the UBERMORGEN.COM slogan:
"It's different because it is
fundamentally different!" Bruno Latour
Prix Ars Electronica:
1996 Hans Bernhard was awarded a golden Nica for ãthe digital hijack by etoyÒ,
2005 with UBERMORGEN.COM he received an Award of Distinction for the
[V]ote-auction project [ http://www.vote-auction.net ] and two
additional honorary mentions. 2006 Edith-Russ-Haus Stipendium (Euro 10.000.-)
and Winner of the 2006 Sitespecific Award. IBM-Award - Stuttgarter Filmwinter
2007, honorary mention, Share
Festival 2007, Transmediale-Award 2nd Price for ãAmazon NoirÒ.
Projects: die
etoy.CORPORATION, etoy.com, etoy.TANKSYSTEM, the digital hijack, etoy.SHARES,
etoy.TANK-17, protected by etoy, UBERMORGEN.COM, [V]ote-auction, NAZI~LINE,
(mit Christoph Schlingensief) bmdi.de, ipnic.org / injunction generator,
etxtreme.ru, bannster.net, the white website, bartnlisa, esof ltd, AnuScan,
Sleeping Baby - Playing Baby, *THE*AGENCY* for manual election recount,
Webpaintings vs. Pixelpaintings, BANKSTATEMENTGENERATOR, ART FID, Psych|OS und
GWEI Ð Google Will Eat Itself, Foriginal Media Hack No. 1, MACHINIMA No. 1- No.
4, ART FID Painting series, AnuScan Painting series..
Exhibitions:
Aldrich Contemporary Art Museum, Museum of Modern Art Wien, The Premises
Gallery Johannesburg, Kingdom of Piracy Online exhibition, Ars Electronica,
Museu d`Art Contemporani de Barcelona, Kokerei Zollverein, Essen, Read_me 2.4
Helsinki, Konsthall Malmoe, Kunsthaus Graz Gallery, The Premises Gallery
Johannesburg, NTT ICC Tokyo, Lentos Museum of Modern Art, Ars Electronica,
[Plug:in] Basel, LISTE 05 Basel, Hartware HMKV Dortmund, Artissima, Museum of
Contemporary Art Tokyo, Secession Wien, c3 Budapest, SFMoMa, UCSD Gallery San
Diego, Blasthaus Gallery San Francisco, Postmasters Gallery New York, Big
Torino, Kunsthalle St. Gallen, Arco Madrid, ISEA, Hartware Medienkunstverein
Dortmund, Overgaden Contemporary Art Institute Copenhagen, Gosia Koscielak Studio and Gallery Chicago,
|
|
CV
|
Prix Ars Electronica: 2005 she received a "Award of
Distinction" for [V]ote-auction, 2 honorary mentions 2001/2005. ,
IBM-Award - Stuttgarter Filmwinter 2007,
honorary mention, Share Festival 2007, Transmediale-Award 2nd Price for
ãAmazon NoirÒ.
"Business-Terror-Style Bitch lizvlx; in her head, each
morning Sam Taylor-Wood meets Dandy-Andy Warhol with a toddler on his knee for
breakfast. During the course of the day she goes berserk in perl and oil and
her dirty pink and orange hair rashes through the city, her style is best
described in the UBERMORGEN.COM slogan: if you dont get help from us, please
get help somewhere" Andy Bichlbaum, The Yes Men
Projects include the
UBERMORGEN.COM, [V]ote-auction, 194.152.164.137, NAZI~LINE, *THE*AGENCY*,
bmdi.de, ipnic.org / injunction generator, etxtreme.ru, bannster.net, the white
website, bartnlisa, esof ltd, AnuScan, sleeping baby - playing baby,
Webpaintings vs. Pixelpaintings, BANKSTATEMENTGENERATOR, ART FID, Psych|OS und
GWEI Ð Google Will Eat Itself, Foriginal Media Hack No. 1, MACHINIMA No. 1- No.
4, ART FID Painting series, AnuScan Painting series.
lizvlx lectures at conferences and universities around the
globe. Her media-portfolio includes publications from Artforum to CNN, FOX News
and CBS, from Domus to Le Monde, the New York Times and NZZ, from Neural.it via
Flashart to Chinese Morning Television and Bulgarian Newspapers.
Exhibitions:
Aldrich Contemporary Art Museum , Museum of Modern Art Vienna, The Premises
Gallery Johannesburg , Kingdom of Piracy Online exhibition, Ars Electronica,
Museu d`Art Contemporani de Barcelona, Kokerei Zollverein, Essen, Read_me 2.4
Helsinki, Konsthall Malmoe , Kunsthaus Graz Gallery, NTT ICC Tokyo , Lentos
Museum of Modern Art, Ars Electronica Linz, The Premises Johannesburg,
Artissima Torino, Hartware Dortmund and LISTE 05 Basel, Hartware
Medienkunstverein Dortmund, Overgaden Contemporary Art Institute Copenhagen, Gosia Koscielak Studio and Gallery Chicago,
.
Projects (founded
Labels/Art-Groups)
UBERMORGEN.COM
UBERMORGEN.COM is an artist group created in Vienna, Austria in 1999 by Hans Bernhard
(founder of etoy) and Lizvlx.
Behind UBERMORGEN.COM we can find one of the most uncatchable identities -
controversial and iconoclast - of the contemporary European techno-fineart
avantgarde. ubermorgen is a German word for "the day after tomorrow"
or "super-tomorrow". The permanent amalgamation of fact and fiction
points toward an extremely expanded concept of oneÕs working materials, which
for UBERMORGEN.COM also include international rights [Legal Art], democracy and
global communication networks. French philosopher Jean Baudrillard once said
about UBERMORGEN.COM: "ubermorgen means the day after tomorrow, a slight
tip towards their aestehtic and activist vision and prejudice, they are
hardcore and radical in their actions and they are extremely strange and highly
intelligent people".
Wikipedia
http://en.wikipedia.org/wiki/Ubermorgen
Medienkunstnetz.de
http://www.medienkunstnetz.de/kuenstler/ubermorgen.com/biografie/
Projects (founded Labels/Art-Groups)
etoy
the etoy.CORPORATION is a controversial global player online
since 1994. etoy uses the corporate structure to maximize cultural value: the
final link in the value chain. for etoy the dramatic problems of globalization
are not to be solved by simply rejecting global markets, economic exchange,
drive companies, culture, individuals and politics.
by sharing
risk, resources, maintaining a strong brand and maximizing the shareholder
value, the etoy.CORPORATION seeks to explore social, cultural and financial
value. etoy.SHAREHOLDERS invest time, knowledge, and ideas (or simply finance)
etoy.OPERATIONS which focus on the overlap of entertainment, cultural, social
and economic values. etoy.SHAREHOLDERS participate in a dynamic artwork that
takes place 24 hours a day in the middle of society -- on and offline.
Quote: http://www.medienkunstnetz.de/artist/etoy/biography/
Ausgesuchte Ausstellungen
"GWEI
Ð Google Will Eat Itself"
The Premises Gallery
Johannesburg
2. - 23.4.2005
5 Overhead Projectors, 6 Diagrams Ink on Paper
mounted on 12mm chipboard, Plasma Screen
Pragmatic, diagramatic, schematic, dramatic.
A 3-dimensional
representation and visualisation of the digital project GWEI - Google Will Eat
Itself. Attack-plan, Web-Structures
and digital advertisment mechanisms.
http://hansbernhard.com/X/pages/installation
About
GWEI Ð Google Will Eat Itself
We generate money by serving Google text
advertisments on our Websites. With this money we automatically buy Google
shares. We buy Google via their own advertisment! Google eats itself - but in
the end "we" own it! By establishing this auto-cannibalistic model we
deconstruct the new global advertisment mechanisms by rendering them into a
surreal click-based economic model.
http://www.gwei.org
Selected Exhibitions
"ART
FID"
LISTE 05 Basel
(Switzerland), Artissima Turin, FabioParisArtGallery Brescia (Italy)
18.2. - 29.2.2004
ART FID was created as a product in the tense field
between fine art, new media art [net.art] and high tech. RFID (Radio Frequency
Identification) is one of "THE" leading technologies of the future.
As artists it is our intention to work on the edge of the technical revolution
with low technology tools.
The RFID-chips appear as almost organic in form, as
cellular in structure. This edition of three very similar but slightly
different RFID-chips tells us a story of bio-technology and digital technology
morphing visually into each other: The pixel is the molecule!
The piece consisted of 3 canvases and one computer
projection with a yellow scrolltext [The Computer-Animation: Scrolltext/Lauftext*]. The Text was emailed
to 12.000 Press, Art and Business contacts during ART 36 Basel.
The
installation was presented at LISTE 05 - Basel and at Artissima 12, The international fair of
contemporary art in Turin and in a Solo-Exhibition at FabioParisArtGallery,
Brescia /Italy.
http://hansbernhard.com/X/pages/painting/pages/ART_FID
http://hansbernhard.com/X/pages/installation/pages/ART_FID/lauftext/scroll1.html
Selected Exhibitions
"Our ballots are
our bombs. It feels like Money in our hands."
Lentos Kunstmuseum
(Contemporary Art Museum)
26.2. - 19.6.2005
2
Paper Sculptures, 110x90x80cm, 270.000 Miami-Dade Paper Trail Ballots, 750Kg.
Ballot No. 1 "08, Kerry/Edwards" [90.000]. Ballot No. 2 "12,
Bush/Cheney" [90.000]. Ballot No. 3 "empty" [90.000], 2 Seals
200x200x3cm.
A affirmative
concept exhibition about democracy, the U.S. of A. and their form of democracy,
their elections, ballots and election machines, power of government and media
terror.
http://hansbernhard.com/X/pages/sculpture
http://www.lentos.at/de/747_443.asp
Selected Exhibitions
"Playing Baby Ð Sleeping
Baby "
Kunsthaus Graz - medien.kunstlabor
Galerie
18.2. - 29.2.2004
Installation:
Mattress, soft brown Tissue, Chicco-Trapez, Chicco-Train [both interactive Toys
with music and light], Chicco-Keys, Softbook, Teddybear, Waterbottle, Pacifier,
various H&M dresses, silver sleeping bag, book "Pippi
Longstocking", Corolle Puppet 52cm [hand made]
The
analyses of the installation and the performance ãPlaying Baby Ð Sleeping BabyÒ
at the Kunsthaus Graz will show, that this piece of ãgenre-artÒ represents a subtle image and
action-composition with similar subtle message: it is a allegory of life.
http://www.ubermorgen.com/baby
(Web-Site mainly in German)
Selected Exhibitions
"Psych|OS - Digital Cocaine - Children of the 1980s"
NTT ICC Museum Tokio
29.4. - 03.6.2005
DVD,
Installation, 00:01:10, 2005
"We are the children of the 1980s, We are the
first internet-pop-generation. We grew up with radical Michael Milken [The King
of Junk Bonds] and mythical Michael Jackson [The King of Junk Pop].
Hans
Bernhard is loaded with 10 years of internet and tech [digital cocaine],
underground techno, hardcore drugs and net.art jet set [etoy]. His neuronal
networks and brain structures are similar to the global synthetic network he
maintained subversive activity within. And now both Hans Bernhard and The
"Network" are infected by this structural disorder.
http://www.ubermorgen.com/psychos
Selected Exhibitions
"Psych|OS
Ð Generator and IPNIC-Seal"
Academy of fine Art
Berlin (Germany
03.2. - 19.3.2006
Computer-Installation (with Digitalprint on Canvas, Unique copy, 210x210x6,5cm), 2006
The
Psych|OS Generator creates medical prescriptions. The user can select a medical
condition from the standardized WHO and U.S.A. list of mental illnesses (ICD-10
and DSM IV). The machine then generates a diagnosis and a prescription with the
list of psychotropic drugs to cure the disease.
Background: The viennese
artist duo UBERMORGEN.COM (Hans Bernhard and Lizvlx) are working on a series of
[F]original* document Generators: The first one (No. 1) was the Injunction
Generator, 2001 (www.ipnic.org),
automatically generating court orders, the second (No. 2), the BANKSTATEMENTGENERATOR,
2005 (www.ipnic.org/BANKSTATEMENTGENERATOR) and now the third one (No. 3) is
the Psych|OS-Generator, 2006.
http://www.ipnic.org/exhibitions/Transmediale06/
Selected Exhibitions
"Amazon
Noir Book Incubator"
Share Festival Turin,
DEAF Rotterdam, MOCA Teipeh
2007
Amazon
Noir Book Incubator", 2006, 120x40x105cm, mixed media installation
Share,
Torino (Italy) and Laboral Gijon
(Spain), Photo by Alberto Bardelli
aka ramblert, Torino, 2007
Amazon Noir can be
seen in a tradition of conceptual art as well as performative arts in this case
using any platform they can find from traditional mass media, the Internet, and
the street. Looking at Copyrights and intellectual property issues on a global
scale we are also facing tremendous unbalances in having access to knowledge
and information as a basis for social, cultural and economic innovation. Alex Adriaansens
http://www.ubermorgen.com/exhibitions/2007/Share_Torino/
Projects
etoy - "the digital hijack"
|
|
between march 31 and july 31 1996,
etoy.SOFTWARE-AGENTS automatically infiltrated the world wide web's global
search engines (lycos, infoseek, altavista, etc.) by placing over a thousand
designated keywords (porsche, startrek, bondage, selbstmord, censorship,
fassbinder, etc.) within the top 10 rankings, thereby setting up a trap for
net travelers and technology tourists. with this action, etoy demonstrated
the ÇspaceÈ behind the popular interfaces of the world wide web... |
...they
took control of the systematic illusion of net-quests for information.
the weak points of the internet and the twilight zone of the
medium formed the location of the action. search-servers were transformed into
a stage: etoy.UNDERGROUND FEEDING THE INFO-SPIDERS !
the scene of
the crime is open to the public and is still frequently visited by many
inquisitive users
In
1996, with ÇThe Digital HijackÈ the group ÇetoyÈ introduced an aspect into Net
art which was subsequently thematicized by numerous artists and which would
become a popular discussion platform: the questioning of supposedly flat
hierarchies by way of the specific infiltration of system-immanent
conditionalities.
The
staid problem of gaining authority not only arose for the information provider,
the user, too, was also meant to become aware of his/her necessary media
competence. At the time, the user's hijacking of him/herself was both a
technical trick as well as a legal tightrope walk. In the end, the CIA became
active as far as Austria; the Federal Ministry of Internal Security was called
in (unnecessarily). After more than 600,000 hijackings, due to an overloaded
server the ÇHijackÈ was discontinued.
http://www.medienkunstnetz.de/works/the-digital-hijack/
Projekte
[V]ote-Auction
Voteauction was a Website which offered US citizens to sell
their presidential vote to the highest bidder during the Presidential Elections
2000, Al Gore vs. G.W. Bush.
The Website was conceived by the student James Baumgartner
and then sold to the austrian business-artists Hans Bernhard (founder of etoy
[5]) and Lizvlx from UBERMORGEN.COM[1] in Austria and (V)ote-auction Inc. in
Sofia/Bulgaria [a subsidiary of the UBERMORGEN.COM group] for a undisclosed
sum. Voteauction was UBERMORGEN.COMs feature Media Hacking performance in the
year 2000.
Several US States (Missouri, Wisconsin, Chicago, Arizona,
Nevada, California, Massachusetts, New York) issued temporary restraining
orders or injunctions for alleged illegal vote trading. This led to the
shutdown of 2 domains (voteauction.com and vote-auction.com)[10]. Federal
Attorney Janet Reno, the FBI and the NSA were investigating the case to ensure
the integrity of the voting process on november 7th, 2000.
Over 2500 global and national News features in online
media, print, television and radio have been reported (including a 27 min. CNN
exclusive "Burden of Proof").
"[V]ote-Auction" is one of most risky and
paradoxically successfull projects by UBERMORGEN.COM: it is "the only
platform in the world that provide the final consumer an effective role in the
American election industry". A true interchange system that finally
"brings capitalism and democracy closer togetherÒ.
http://www.medienkunstnetz.de/works/vote-auction/
http://www.vote-auction.net
Projects
"Injunction Generator"
Injunction
Generator, Ubermorgen's legal art: With their usual controversial and
iconoclast spirit, Ubermorgen, an artist group created by Hans Bernhard
(founder of etoy) and lizvlx, realized The Injunction Generator
(www.ipnic.org), a software module which claims to generate on request legal
injunctions and personalized documentation in .rtf/.pdf format to force a site
into taking its contents offline. Carrying on with their principles of 'radical
corporative marketing strategy' and the meta-concept of the [F]original Ð
forged original document, the group has produced an effective and credible
interface which helps creating one's own documented cease-and-desist request,
which is also automatically sent to the DNS administrators, to the site's owner
and to some journalists to trick them into supporting the 'public trial'. The
project is published on the IP-NIC domain, an acronym which mimics the official
protocols (Internet Protocol - Network Information Center), revisited as
'Internet Partnership for No Internet Content'. This sarcastic provocation (a
'public shutdown service') was conceived after experiencing a similar mishap
for the [V]ote-auction project (www.vote-auction.net), which invited american
citizens to put up their vote for auction. At the time (2000) an email
injunction by an american court was sent to the swiss provider hosting the
site, who took them immediately offline even though email documents aren't
legally considered official and even though Swiss is outside of american
jurisdiction.
http://www.ipnic.org
http://runme.org/feature/read/+ipnic/+54/
http://en.wikipedia.org/wiki/Injunction_generator
Projects
"[F]originals
BANKSTATEMENTGENERATOR,
Installation, Ars Electronica 2005
ÒAuthenticity as consensual
hallucination"
ãJust
pixels on a screen, just ink on paperÒ
The
"BANKSTATEMENTGENERATOR" is an online engine that generates
individual bank statements. If you need a positive or negative bank statement,
generate it yourself! In doing so, the user is free to determine the amount and
type of deposits and credits as well as the degree of design abstraction of the
resulting document, an [F]original that manifests itself as an array of pixels
on the monitor screen.
The
core theme of this project is described in the slogan "just pixels on a
screen - just ink on paper" and consolidated in the term
"authenticity as consensual hallucination" (Inke Arns). The focus
shifts from the authenticity in the time of analogue / technical reproduction (signature) towards
authenticity in the time of informational reprogramability (automatically
generated bank-statements).
In the UBERMORGEN.COM universe, this project can be seen in the
tradition of "Legal Art" and specifically the "[F]originals - forged
original documents - series. A Foriginal is always original and unique. Foriginals are pixels on
screens or substance on material [i.e. ink on paper]. [F]originals are non
pragmatic - they are absurd. They do not tell you whether they are real or forged
- there is no original but also no fully forged / faked document. Foriginals
can be human or machine generated; Foriginals are digital or analog, foriginals
are singular multiples.
http://www.ipnic.org/BANKSTATEMENTGENERATOR
Projects
Psych|OS (Videoinstallation)
|
|
In March 2002, ubermorgens Hans Bernhard experienced a
manic outbreak in South Africa. He was airlifted to Austria - General
Hospital Vienna. Two and a half years later, UBERMORGEN found video footage
of his stay at the Mental hospital. They decide to release the material
unedited. "We are the children of the 1980s, We are the first
internet-pop-generation. We grew up with radical Michael Milken [The King of
Junk Bonds] and mythical Michael Jackson [The King of Junk Pop]. Hans
Bernhard is loaded with 10 years of internet and tech [digital cocaine],
underground techno, hardcore drugs and net.art jet set [etoy]. His neuronal
networks and brain structures are similar to the global synthetic network he
maintained subversive activity within. And now both Hans Bernhard and The
"Network" are infected by this structural disorder. |
The
Installation is a common projection, a sensitive membrane [the screen] which
serves as a thin skin which is penetrated by light and onto which a unique
reality is projected. This membrane moves if you touch it or it curls if you
blow: the image twists. The membrane represents the human and the network - it
is hypersensitive. The sound is played quietly via speakers and very fat via
earphones. The room is bright with daylight so the mood of the viewer is
influenced by the weather outside. There is no difference to a room in a mental
hospital.
http://www.hansbernhard.com/X/pages/video/index_long.html
Projects Ð 1st
part of our EKMRZ-TRILOGY
GWEI Ð Google Will Eat Itself
(Online, with
Alessandro Ludovico and Paolo Cirio)
|
|
|
We generate money by serving Google text
advertisments on a series of hidden web-sites. With this money we automatically
buy Google shares. We buy Google via their own advertisment! Google eats itself
- but in the end "we" own it! By establishing this auto-cannibalistic
model we deconstruct the new global advertisment mechanisms by rendering them
into a surreal click-based economic model. With the current speed, it will take
approx. 202 Million years until
ãweÒ fully own Google Inc.
After this process we hand over the
common ownership of "our" Google Shares to the GTTP Ltd. [Google To
The People Public Company] which distributes them back to the users (clickers)
/ public.
ãUn plan machiavŽlique...Ò La
Liberation
ãGoogle Will Eat Itself is the sort of
Web-based conceptual art project that could only have been conceived somewhere
between the second and third hits off somebody's brushed-steel,
Bauhaus-inspired bong.Ò Village
Voice
Projects Ð 2nd
part of our EKMRZ-TRILOGY
Amazon Noir Ð The Big Book Crime
(Online,
in collaboration with Paolo Cirio and Alessandro Ludovico)
|
|
|
THE
PLOT: The Bad Guys (The Amazon Noir Crew: Cirio, Lizvlx, Ludovico, Bernhard)
steal copyrighted books from Amazon.com - using sophisticated
robot-perversion-technology coded by supervillain Paolo Cirio. A massive media
fight and a brutal legal fight escalates into an online showdown with the heist
at the center of the story. Lizvlx from UBERMORGEN.COM has daily shoot outs
with the global massmedia, Ludovico and Bernhard hardly resist kickback-bribes
from powerful Amazon.com and Cirio violently pushes the boundary of copyright
(just pixels on a screen - just ink on paper). Betrayal, blasphemy and
pessimism splits the gang of bad guys. In the end the good guys (Amazon.com)
win and drive off into the blistering sun with the beautiful and seductive
femme fatale (the massmedia).
THE
TECHNOLOGY: The Amazon Noir Robots (Sucker01-12) used
the frontdoor to access the huge digital library of Amazon.com. They tricked
around with Amazon.coms "Search Inside the Book" function until it
gave away the complete volumes of copyright protected books. This was carried
out by sending 5.000 - 10.000 requests per book. After this process the data
was logically reassembled into pdf-format . Ð http://www.amazon-noir.com
Projects Ð 3rd part of our EKMRZ-TRILOGY
The Sound of eBay
(Online, Net.Art, Installation)
|
|
|
First
there was silence... Then there was data... But there was no story... Just
images and sounds... Cities were built and a grid was laid on top of the
topography
Within
this global grid a company named eBay became the largest marketplace, with very
local marketspaces. eBay is romantic and seductive, not like the local
fleamarkets in Paris (Le marchŽ aux puces de Saint-Ouen) but sexed up a million
times bigger and spherically transcended, much more effective and thoroughly
commercialized. We love it! "The Sound of eBay" is the affirmative
high-end low-tech contribution to the atomic soundtrack of the new peer-to-peer
hyper-catastrophic shock-capitalism. Forget the technology, its lustful
entertainment, baby!
How does it really work? We generate unique songs by using
eBay user-data. You simply enter any eBay username (your own or someone else's)
and add your email address so we can notify you as soon as the song is ready
for downloading. Then click ãgenerateÒ and our robots sprawl out into the net
to collect data. Then the robots bring back the data to our sc3 supercollider
soundgeneration-engine. Finally, the complex software-machine starts generating
a score-file which is then transformed into your unique but uniform song and
presented in teletext porn style! We sell out your human needs digitally...
Projects
Chinese Gold
(Online, Text, Video,
Photo)
|
|
|
It
mixes up the real "virtual" (the game) with the virtually
"real" (money)
In
China there are many Online-Gaming Workshops that hire people to play online
games such as World of Warcraft (WoW) day and night. The gaming workers produce
in-game currency, equipments, and whole characters that are sold to American
and European Gamers via Ebay. These people are called ãChinese Gold
Farmers". The future is now!
Keywords:
Metallic - Alternative Energy Sources - Trade Agreements - Ghostbuster, Roaming
- Steel, sugar and services - Consumer-made content and value - 1500 Gold $
131.99 - close Internet cafŽs in Beijing to prevent the spread of SARS -
Modified sees/crop, hydrogen Ð The Myspace angle Ð Media Hacking Ð prepaid
Pass9 - a group of WOW players in China committed mass suicide, virtual die-ins
Ð Taxes, copyright and Freedom of Speach, in game civil rights - Unions
fighting Louis Vuitton living oceanfront - Boomtimes in Kuala Lumpur Ð Kaogma
Festival - Megaphone diplomacy - New cartoon uproar
The
documenation contains photos, videos and text from China and Serbia.
http://www.ubermorgen.com/2006/projects/Chinese_Gold
Exhibitions,
Projects, Publications
Solo Shows / Performances
2007 REX Gallery, Belgrade, ãChinese Gold, Amazon Noir and
GWEIÒ
EAF
Ð Experimental Arts Foundation Adelaide, ãSeals Prints and Vote-Auction CNN
VideoÒ
Elektrohaus
Hamburg, ãForiginal SealsÒ
2006 Fabio Paris Art Gallery Brescia, ãLilly controls my
foriginalÒ
Hartware
HMKV Dortmund, ãForiginal ART FIDÒ
Overgaden
Contemporary Art Institute Copenhagen, ãForiginal SealsÒ
Gosia Koscielak Studio and Gallery Chicago, ãAnuScanÒ
PLATTFORM - Raum fŸr Kunst, Vienna, ãAmazon Noir, DrawingsÒ
2005 Plugin Basel, Switzerland, "[F]originals -
BANKSTATEMENTGENERATOR"
The Premises Gallery,
Johannesburg, RSA, "GWEI - Google Will Eat Itself - Deconstruction
of globl commerce"
Performance:
Dadahaus / Cabaret
Voltaire, Zuerich , Performance "Pizzeria Casa
Altavista" (with Johannes Grenzfurthner/Monochrom)
2004 Kunsthaus Graz, medien.KUNSTLABOR Galler, *THE*AGENCY* for
manual
election
recount, http://www.ubermorgen.com/*THE*AGENCY*
Kunsthaus
Graz, medien.KUNSTLABOR, "Sleeping Baby - Playing
Baby"
Text |
2003 Monochrom
Gallery, Vienna, Exhibition for cockroaches, , shopping
baskets, 2002 , Oil on canvas [8x10 cm]
2002 "THE PREMISES" Johannesburg,
"[V]ote-auction - bringing capitalism and democracy closer together"
2001 Performance: Kuenstlerhaus Vienna, Performance "BART-N-LISA.COM"
1998 Blasthaus gallery San Francisco
- "etoy.SHARES"
UCSD
gallery - "etoy.FASHION-SHOOTING", etoy.TANK-17/etoy.SHARES
SF
MOMA - "protected by etoy",
Performance
1997 c3 budapest - "protected by etoy",
Performance
* The
solo-shows from 1997-98 are with the etoy.CORPORATION
Group
Exhibitions
2008 Holy Fire. Art of the Digital Age, iMAL Center
for Digital Cultures and Technology, Bruxelles, ãPsych|OS CycleÒ
Scope
Art Fair, Basel, ãAmazon Noir and Psych|OS CycleÒ
Economy 0, Incident Paris, ãGWEI Ð Google Will Eat ItselfÒ
Mal
aux Pixel, Paris, ãPsych|OS-GeneratorÒ
'L'Impresa
dell'Arte" (The Enterprise of Art), PAN I Palazzo delle Arti Napoli,
ãGWEI
Ð Google Will Eat ItselfÒ
Les
Rencontres Paris/Berlin/Madrid, El Aguila Madrid, ãThe Sound of eBay
InstallationÒ
Biennale
of Sydney, Online Exhibition, ãUBERMORGEN.COM and Amazon NoirÒ
Stuttgarter
Filmwinter, Competition Exhibition, ã FORIGINAL MEDIA
HACK and
CHINESE GOLDÒ
City of Novi Sad, ãTerritories and recourcesÒ,
ãAmazon Noir Ð Street
InstallationÒ
Transmediale 08, Haus der Kulturen der Welt,
ãAmazon NoirÒ
World Financial Center Courtyard Gallery,
Renascence-Exhibition, ãPsych|OS
CycleÒ
2007 SHARE Festival, Turin ãAmazon Noir Ð Incubator-Book
InstallationÒ
Halle fuer Kunst Lueneburg, Online Exhibition ãAmazon NoirÒ
Dreispitzareal,
Zollfreilager Basel, ShiftExhibition ãAmazon NoirÒ
2008 CULTURAS, Online
Exhibition Ð ãChinese GoldÒ
13th
Festival for Computer Art Ljubliana Ð ãVote-AuctionÒ
Kunsthaus
Dresden, ãPsych|OSÒ
New
Museum/Rhizome New York, Online ExhibitionÒGoogle ArtÒ, ãGWEIÒ
Laboradores
Alameda Mexico-City, Im-Polis Ð ãSound of MercadolibreÒ
Gosia
Koscielak Gallery, Crossmediale, ãAnuScanÒ
DEAF Rotterdam, ãAmazon NoirÒ
Edith-Russ-Haus
Oldenburg, ãAmazon NoirÒ
Biennale
of the End of the World (Ushuaia, Argentina), ãGWEIÒ
Israeli
Center for digital Art Holon, ãGWEIÒ
Laboral
Gijon Ð Spain, ãAmazon NoirÒ
International Festival of Computer Arts, Maribor, ãAmazon
NoirÒ
MOCA
Teipeh, ãAmazon NoirÒ
MAK
Flakturm Vienna, Paraflows/UN-Space, ãPsych|OSÒ
VSA
Arts Washington D.C., Renascence, ãPsych|OSÒ
Rencontres
Internationales Madrid, ãChinese GoldÒ
2006 Arte
Fiera, Bologna
Art Center Nabi, Seoul (KR), ãGWEIÒ
Moderna galerija, Ljubljana, "Arteast Collection
2000+23", ãChinese GoldÒ
NTT ICC, Tokyo, ãConnecting WorldÒ ãGWEIÒ
New Museum, New York (USA), ãGWEIÒ
Al Kahf Art Gallery, Bethlehem, "://selfportrait
- a show for Bethlehem", Psych|OS Ð SelfportraitÒ
Theatre Paris-Villette, Paris (F) "Connecting Worlds", ãGWEIÒ
Museu d'Art Contemporani de Eivissa (MACE),
Biennal Ibicagrafica, ãGWEIÒ
Slippage.net - Online Exhibition, www.slippage.net, ãPsych|OS-GeneratorÒ
Alliance Francaise, Nairobi, "Economy
Class" Exhibition, ãPsych|OS cycleÒ
La Casa Encendida, Madrid, "Derivatives, new art financial visions",
ãGWEIÒ
Artissima, Torino
Akademie der Kuenste, Berlin ãSmile Machines - TransmedialeÒ,
ãPsych|OS-GeneratorÒ
Share, Torino ãGWEIÒ
Beijing New Art Projects,, Beijing, "FIELD OF VISION: BEIJING",
ãChinese GoldÒ
Art&Gallery, Milano ãNo ParachuteÒ, ãGWEIÒ
[plug:in], Basel ãViperÒ, ãGWEIÒ
2005 Ars Electronica - "Hybrid - Living in Paradox",
BANKSTATEMENTGENERATORÒ
Artissima 12, Torino - "ART FID"
Hartware
HMKV, Dortmund "vom Verschwinden... - Psych|OS"
Liste 05, Basel - "ART FID"
NTT ICC, Tokyo -
"Open NatureÒ, Psych|OS"
Lentos Kunstmuseum, Linz, "Just do it!", ãU.S.
Elections 2000-04, Vote-Auction and *THE*AGENCY*Ò
Neurotitan Gallery, Berlin, "ABC-Show", ãGWEIÒ
Kuenstlerhaus, Vienna,
"Update", ãPixelpaintings and
Psych|OS SelfportraitÒ
NTT ICC, Tokyo, ãArt meets mediaÒ Online exhibition,
ãInjunction GeneratorÒ
2004 Konsthall Malmoe
"Electrohype" Computer Biennial, ãVote-AuctionÒ
Wizards
of Oz, Bcc Berlin - "Public Library",
ãInjunction GeneratorÒ
2003 Kingdom of Piracy - KOP,
Online Exhibition, ãInjunction GeneratorÒ
Kokerei
Essen, "Soziale Technologien" ãVote-AuctionÒ
2002 expo.02 Switzerland, "amj.ch", ãVote-AuctionÒ
madreTTor Gallery Rotterdam "noname", ãVote-AuctionÒ
2001 Aldrich Contemporary Art Museum,
USA "Art at the edge of the law", ãVote-
AuctionÒ
1999 http://map.jodi.org,
online-exhibition "etxtreme.ru"
1997 Museum of contemporary art, Tokyo,
"The Archaeology of the Future City", etoy.VRML-InstallationÒ
1996 Secession Vienna - "Junge Szene '96",
ãetoy.TANK-installation 1.0Ò
1995 Viper Luzern - "Aquamicans",
ãetoy.VRML-InstallationÒ
Telepolis
Luxemburg - "Aquamicans"
Viper
Luzern, "WORDWAR-Performance"
1994 Electronic gallery, "etoy.VISUALSÒ
Publications / Catalogues, Press, Lectures
2008 Flash Art (February issue), essay by Raul Zamudio
Domenico Quaranta, Yves Bernard (eds), Holy Fire. Art of
the Digital Age,
FPEditions, Brescia 2008.
The Art of Participation: 1950 to Now, San Francisco
Museum of Modern Art
Designing universal knowledge, Lars Mueller Publisher,
Baden (Switzerland)
JBN after midnight, Nathaniel Stern, Leonardo Journal of
Art and Technology
Google, Lars Reppesgaard,
Murmann-Verlag, Hamburg
Lecture: Lecture: Literaturehaus Stuttgart (Conversation with Inke
Arns), Goethe Institute Nairobi Kenya, Economy 0, Paris, Transart Linz, O.K.
Zentrum fŸr Gegenwartskunst, Transmediale Berlin, Dictionary of War Ed. 4, Novi
Sad, University for applied Art Vienna (Klasse f. Grafik-Design, Prof. Kartak)
2007 Rex Galerie, Belgrad, Catalogue
Solo-Exhibition
Sonance-Reader,
sonance.artistic.network Vienna
Share
Festival, Torino, Festival-Catalogue
Spacecraft: Fleeting Architecture and Hideouts,
edited by Robert Klanten
and Lukas Feireiss, Die Gestalten Verlag
Monochrome Book No. 3 ãUBERMORGEN.COM InterviewÒ
Press
ãWAHLGELD.COMÒ:
10vor10
Switzerland, Blick, Tages-Anzeiger, NZZ, BaZ, Tagblatt, 24Heures,
Der Standard, Die Presse, Facts.ch, Landbote, MAZINE,
Punkt.ch, Rebel tv,
SFDRS.ch, Suedostschweiz, Telepolis, 20Min
Press ãAmazon Noir - physical Book Theft in Basel during Shift-Festival ãAccess ExhibitionÒ:
Blick,Tages-Anzeiger, OE24, Swissinfo, Bieler Tagblatt,
Limmatonline,
Espace.ch, Bluewin, AZ-Online, Der Standard, ORF.at
Press
Stuttgarter
Zeitung ãTell.netÒ
B92-Television
ãMorning ShowÒ
Lecture: Stadtbibliothek Stuttgart
ãTell.netÒ (Conversation with Inke
Arns), REX Cultural Center Belgrad, ã1994-2007Ò, Piet Zwart Institute/Fine Art
Academy Rotterdam ãUBERMORGENÒ, Microwave Festival Hong Kong ãConspiracy GWEIÒ,
Israeli Digital Art Center Holon Israel ãUBERMORGEN PROJECTSÒ, Kulturhof Amstetten
ãUBERMORGEN.COM PROJECTS 1999-2007Ò, Academy of Fine Arts Vienna: ãUBERMORGEN
projects 1999-2007Ò, EUROPEAN MEDIA ART FESTIVAL
Osnabrueck, ãUBERMORGEN.COMÒ
2006 Springerin
ãGoogle Will Eat ItselfÒ
GameScenes. Art in the Age of Videogames, Milan, Johan
& Levi 2006, M. Bittanti, D. Quaranta (editors)
Artforum News, week 28, 2006
Maska
Magazine, Maska 2023+
ArteeCritica, Lewitts Ideal Children, Part IIÒ
WMMNA/we-make-money-not-art Interview
Furtherfield Interview
Telepolis.de Interview
Derivados, New financial Visions, Catalogue
ãIneditos 2006Ò Caja Madrid
we-make-money-not-art, Artissima Article
Press:
Spiegel Online, The Guardian, Telepolis, La Liberation,
Sueddeutsche Zeitung
Futurezone ORF.at, Heise.de, Die Zeit, Die Presse, Lunita, Mesh Magazine, ,
Teknemedia, OE1 Matrix, NDR, Globalinfo.nl, IBYEN.dk,
Berliner Zeitung, taz
Digicult Interview
Neural.it Magazine
De:Bug ãGWEI Ð Google Will Eat ItselfÒ
ICC Magazine No. 59 ãGWEIÒ
Ars Electronica/Media Lab Madrid Catalogue (Forum ARCO 06)
Rencontres Internationales Berlin-Paris, Catalogue
Share, Torino, Catalogue
Connessioni
Leggendarie Catalogue ãVote-Auction, etoyÒ
Lectures: V2 Rotterdam ãConspiracy Ð
GWEIÒ, Edith-Russ-Haus fuer Medienkunst, Oldenburg, University Aarhus,
Rencontres Internationales, Berlin-Paris, Paris, Digital Festival, Aarhus, Copenhagen Documentary Film
Festival, Conference on
Subversion, Edenkoben (D), reboot8, Copenhagen, Share, Turin (Share
Exhibition), Science Museum/Dana Centre, London (Takeaway), Mediateca, Milano
(Connessioni Leggendarie Exhibit), Overgaden, Copenhagen, Viper/Plug:in, Basel,
Trafo, Budapest ãOn CollaborationÒ, Stuttgarter Filmwinter ãGWEI Ð
Bankstatementgen.Ò, Akademie der bildenden Kuenste, Berlin ãGWEIÒ
2005 Ars Electronica , Catalogue "Hybrid - Living in
Paradox"
Ars
Electronica, Catalogue "Cyberarts 2005"
Lentos
Museum of Modern Art , "Just do it!" Catalogue
NTT
ICC Catalogue , "Open Nature"
IEM (D) , Media Edition,
Technical University Graz Press
Plugin
Basel, Catalogue
Neural.it,
Interview
read_me
- Software Art & Cultures Edition
2004, Aarhus University Press,
Runme.org
2.4 Reader
Lectures:
Johann Wolfgang Goethe Universitaet Frankfurt,
Ravensbourne College,
Coventry
University, Lange Nacht der Museen, Museumsquartier Wien, Ars
Electronica,
Linz, NTT ICC, Tokyo, [Plug.in], Basel (stream),
FILE Festival Sao
Paulo,
Siggraph, Los Angeles, Neurotitan Gallery, Berlin,
Accademia delle Belle Arti di Carrara,
Wits University, Johannesburg, Tweakfest, Zurich
2004 Konsthall Malmoe, ãElectrohypeÒ Catalogue
Wizards
of Oz Catalogue, "Public Library"
Rebel:art Magazine, Interview
Kunsthaus Graz, Reader and Web-site
Lectures: CPH:DOX, Copenhagen, University for applied Art, Vienna,
Medical university, Inst. f. Cybernetics and AI,
Vienna, Coded Cultures, Museumsquartier,
Vienna Technique over Technology,
Bristol, Technical University, IEM,
Graz, FIPA / Le signal, Biarritz /
France, Kunsthalle Exnergasse,
Vienna, (Monochrom-Retrospective)
2003 Kokerei Essen "Soziale Technologien",
Jahresprogramm der Kokerei
Zollverein, Essen, 2003
Inke Arns in: Die Offene
Stadt Ð Anwendungsmodelle "Leaving reality behind: etoy vs etoys.com &
other
battles to control
cyberspace"
by Regula Bochsler and Adam Wishart
HarperCollins
Neural.it,
feature "injunction generator"
PRIXARS
ELECTRONICA, CyberArts 2003, Hatje Cantz, 2003
Ars
Electronica "Code - The Language of our Time, Hatje Cantz, 2003
Read_me
2003, Exhibition and Conference Catalogue - Interview by Olga Goriunova and Alexei
Shulgin
Artificial.dk, feature on Read_me 2.3
Catalogue, Net.Art - L'arte della connessione
Marco
Deseriis / Giuseppe Marano, etoy, UBERMORGEN.COM, Toywar
Lectures: READ_ME 2.3 festival, Helsinki
2002 BORDERLINE - Strategien u. Taktiken f. Kunst u.
soziale Praxis, ISBN 3-8311-3775-7, Interview lizvlx and Hans Bernhard
Design Austria [Austria Design Association], 75 anniversary
publication
Ars Electronica Catalogue
The Premises Catalogue
Expo.02, Switzerland Catalogue, "capitalism and
democrazy - the Vote-Auction
campaign"
DESIGN
INDABA, Design Indaba Magazine
Interview H. Bernhard
Lectures:
Conference
"against democracy", DESIGN AUSTRIA [Austria
Design Association], Vienna, Expo.02, Switzerland, DESIGN INDABA Conference, Capetown, Centro de cultura contemporanea,
Barcelona, SURFEN UND PILGERN, Jura (CH),
madreTTor, Rotterdam, Ars Electronica, Linz, Ravensbourne college, London, NMUF
/ NMUF.ORG, Capetown
2001 Aldrich Contemporary Art Museum, "Art at the edge of
the Law" Catalogue
"Netzpiraten. Die Kultur des
elektronischen Verbrechens", Armin Medosch and Janko
Ršttgers, Heise / Telepolis, [V]ote-auction, Ars Electronica Jury-Hack and
etoy, ISBN 388229-188-5
Rem
Koolhaas (ed), Mutations, Actar, Reinhold Grether: "Breakthrough to the
World
Code. etoy's Concept of Net Architecture"
"Literatur im Netz",
Christine Boehler, Triton Vienna, Interview
Lectures: Berliner Theatertreffen,
Berlin, University for applied art, Vienna,
Viennale, Vienna, ASU2 art servers unlimited, Labin
(Croatia), Depot, Vienna
2000 Net Art Guide, Frauenhofer Ð FhG, ubermorgen Ð etoy, ISBN
3-8167-5590-9
Lectures: Type01, Capetown, University of applied arts, Vienna, CAT
lisboa portugal, Berlin beta 2.0, "User-branding",
Berlin, CCC 173C, Berlin, Mikro-lounge, Berlin
1999 Lectures:
Ljudmila, Ljubljiana, CITTADELLARTE / UNIDEE, Italy, COMMUNIMAGE.CH, Zurich, SeaFair, Skopje
1998 c3 Catalogue "the etoy.FOLDER"
1997 Secession, Vienna , Catalogue "Junge Szene '96",
ISBN 3-900803-83-8
"etoy"
by Nico Piro, published by Castellvecchi, Roma/Italy (*)
1996 Prix Ars Electronica 1996 [ E / D ], Catalogue
Prix
Ars Electronica, Jury-Statement
Domus,
Vol.: 1996, N¼.: 787, Per’odo: Noviembre, A–o: 1996, etoy. Anarchia nella rete
Lectures:
GDI, Gottlieb Duttweiler
Institut, Rueschlikon, Switzerland, Art center College of Design,
Pasadena, USA, UCSD, San Diego, USA
1995 Electronic Gallery Catalogue Ars Electronica 1995
Viper
Catalogue 1995
Telepolis
Catalogue 1995
* All
publications and lectures from 1994-1998 were in combination with etoy
(etoy.HANS/etoy.BRAINHARD)
List of projects
2008 The
Sound of eBay Ð EKMRZ-Trilogy, Net.Art and Installation,
http://www.sound-of-eBay.com
Slum-TV,
Nairobi-Workshop, www.slum-tv.info
The Psych|OS Cycle 2008
Reloading Images, Damascus,
Workshop ãMedia HackingÒ
2007 Alanohof, (Remake), http://www.alanohof.com
WAHLGELD.COM,
(Vote-Auction Remake) www.wahlgeld.com
Sound of Mercadolibre, Sound
Installation, www.sound-of-mercadolibre.com
Amazon Noir Incubator Installation
Amazon Noir Online Action,
Amazon Noir Physical Book Theft
Chinese Gold Untitled 1-7, Belgrade
Session 1-8
The Psych|OS Cycle 2007
2006 G3 Ð Psych|OS-Generator, Online Version and Exhibition
Installation
Amazon Noir Ð The Big Book Crime, EKMRZ-Trilogy, http://www.amazon-noir.com
Chinese Gold, www.ubermorgen.com/CHINESE_GOLD
AnuScan Painting Series
ART FID My ... Painting Series
ART FID Museum Installation, ART
FID Pixel Fliessband
MACHINIMA, DVD, 00:19:23, NO. 1 Ð NO. 4
Amazon Noir, Drawings and Paintings
Foriginal Media Hack No. 1, Found Footage, DVD, 00:00:43
Psych|OS Ð Gallery Installation
GWEI Ð Google Will Eat Itself Ð Installation
2005 The BANKSTATEMENTGENERATOR V2 , authenticity
as consensual hallucination
GWEI
- Google Will Eat Itself, EKMRZ-Trilogy, http://www.gwei.org
Psych|OS,
Video, 01:01:10, Digital Cocaine
- Children of the 1980s
ART
FID, The RFID project
Pizzeria
Casa Altavista, Performance (with
Johannes Grenzfurthner /
Monochrom)
Hansbernhardblog,
daily medicamentation log
http://hansbernhard.com/hansbernhardblog
2004 *THE*AGENCY*
for manual election recounts
http://www.ubermorgen.com/*THE*AGENCY*/
AnuScan,
anus scanner prototype, 42X55X32cm, steel, rubber
SELLtheVOTE.COM, U.S. elections
2004
Very
Lustre, Polysocial Diamonds
Playing
Baby - Sleeping Baby, http://ubermorgen.com/baby
Pixelpaintings,
"Torture" Series "no.1-5",
2004
The Bernhard Case, Station 4B,
Department of Psychiatry,
General
Hospital Vienna, DV, 01:01:55
2003 Pixelpaintings Shopping baskets (for cockroaches), miniatures,
oil on canvas
AnuScan
Inc., Webpainting
THE WHITE WEBSITE and THE_BLACK_WEBSITE
BRAINHARD.COM - etoy.BRAINHARD / etoy.HANS
BERNHARDS.NET - The Bernhards Family - genetic desaster
2002 INJUNCTION GENERATOR
mediaQ21,
net.art exhibition space, Vienna "Museumsquartier"
Ticker-Exhibition
daily briefing, LED-ticker and
online lichtzeile.at
SELLING
MY BODY TO THE MOMA, Email and stage performance, UBERMORGEN.COM with
Praystation and Tomato [Design
Indaba, Capetown]
UBERMORGEN FEAT. Alexei Shulgin
Placa
George Orwell / Barcelona, Performance: "Praying for public privacy"
Collaboration
with Surveillance camera players [SCP] and 01.org Eva and Franco Mattes
BAYER, interactive piece of legal
digital art and net.art
BLACKBLOX.COM,
globalization pop-band, a concept band
The
etoy.HOLDING
2001 NAZI~LINE - THE CAMPAIGN, with christoph schlingensief
NAZI~LINE
- THE CORPORATE SITE
AIIianz,
shock marketing and drama marketing
ATTACK_ON_DEMOCRAZY, 9-11, live
from croatia
ubermorgen.com,
b/w pull_DOWN; his-story;
BMDI.DE,
collaboration with sebastian luetgert
2001 IPNIC - The Injunction Generator,
Internet
Partnership For No Internet Content, http://www.ipnic.org
uberPOPUPS,
ubermorgen.com 2002, a selection:
http://www.ubermorgen.com/uberBESTOFPOPUPs/ALLuberPOPUPs.txt
http://www.ubermorgen.com/uberBESTOFPOPUPs/ALLuberPOPUPs.html
http://www.ubermorgen.com/uberBESTOFPOPUPs/BESTOFuberPOPUPs.txt
http://www.ubermorgen.com/uberBESTOFPOPUPs/BESTOFuberPOPUPs.html
BART-N-LISA.COM,
Bart kessner and Lisa LaHue. Performance and Stunt-
Team.
In collaboratoin with MAZZOTTI ACTION, Berlin.
http://www.ubermorgen.com/bartnlisa_khaus_ACTION_2001.mov
UBERPOLLS
- Do you believe in online polls?
UBERMORGEN.COM
2001 - http://www.ubermorgen.com/2001/
2000 [V]OTE-AUCTION - http://www.vote-auction.net
Webpainting Bannster.net,
Webpainting ekmrz.cx
ubermorgen.org,
wwwiderstand, banna_aquarium;http://www.ubermorgen.org
ubermorgen.net,
in collab with erica dubach, networking is not working,
WTO / CILS SALZBURG Projekt,
The birth of Dr. Andreas Bichlbauer and his
son
Andy Bichlbaum., A collaboration with The Yes Men and RTMark.com
UBERMORGEN.COM,
commercial shock-markting, drama-marketing, borderline-
marketing;
http://www.ubermorgen.com/2000/
1999 WEBPAINTINGS
PIXELPAINTINGS [1999-2005]
1998 Esof
ltd., a swiss-austrian-bulgarian joint venture. Software-development
company
based in Sofia. http://www.esof.net,
etxtreme.ru
Read fast - think later! - you daily e-nfo_breakfast, top9! http://www.ubermorgen.com/etxtreme
1997 194.152.164.137 Ð userunfriendly,
lizvlx in collaboration with Andrea Mayr http://www.ubermorgen.com/194/
1996 THE DIGITAL HIJACK, 1.5 mio
internet-users hijacked in 4 months, "flashing into the future". http://www.hijack.org
WORDWAR,
Hans Bernhard experimental text http://www.ubermorgen.com/WORDWAR/
Luzius
Europa Brainhards' "tanz, du sau", "s_2", Text Sampling
http://www.ubermorgen.com/WORDWAR/TXT_ARCV_RAW/tanz_sau/
1994 etoy, The etoy.CORPORATION, www.etoy.com
THE
etoy.TANK-SYSTEM* [1994-1997], http://fanclub.etoy.c3.hu/tanksystem/
U4
Vienna, Live Computer-Animation
Gasometer
Raves Vienna, Live Computer-Animation
Energy
Rave Zuerich, Live Computer-Animation
Fastlane
Rave, Zuerich, etoy.EVENT. Design, performance and sound by etoy
* All works 1994-1996 are etoy works (except WORDWAR and
ãTanz, du SauÒ)
List of Awards, Stipendia
2008 Transmediale-Award 2nd Price for ãAmazon NoirÒ
2007 IBM-Award for new media, Stuttgarter Filmwinter ãAmazon
NoirÒ
Honorary
mention, Piemont Share Festival, Turin, ãAmazon NoirÒ
Nominated
for Transmediale Award 2008, ãAmazon NoirÒ
Rhizome
Commission 2007-08 ãSound of EbayÒ
2006 Edith-Russ-Haus scholarship,
Oldenburg (Germany)
Sitespecific
Award, ãPsychotropic Drug KaraokeÒ
Transmediale
Award nominee ãGWEIÒ
Viper
Award nominee, ãGWEIÒ
Les
Pepinieres scholarship
2005 Award of Distinction, Prix Ars
Electronica Linz (Austria), ãVote-AuctionÒ
Honorary
mention, Prix Ars Electronica Linz (Austria), ãGWEIÒ
Rhizome
Commission 2005-06 ãGWEI-Google Will Eat ItselfÒ
Honorary
mention, Bienal Ibizagr‡fic '06 ã GWEI-Google Will Eat ItselfÒ
2001 Honorary mention, Prix Ars
Electronica Linz (Austria), Injunction Generator
1996 Golden Nica, Prix Ars Electronica Linz (Austria),
ãetoy Ð the digital hijackÒ