CV
履历
UBERMORGEN (超明天) — Vienna-based, est. 1995.
A two-generational, female-led art team: Billie Bernhard, lizvlx, Lola Bernhard, Luzius Bernhard.
Net art, conceptual art, media hacking, installation, online actionism, AI, speculative theory.
30 years of institutional history, hardcore underground legacy.
Treats the infrastructures of power as artistic raw material.
超明天（UBERMORGEN）——维也纳，始于1995年。
跨代际、女性主导的艺术团体：比莉·伯恩哈德（Billie Bernhard）、利兹弗尔克斯（lizvlx）、洛拉·伯恩哈德（Lola Bernhard）、卢修斯·伯恩哈德（Luzius Bernhard）。
网络艺术、观念艺术、媒体黑客、装置、网络行动主义、人工智能、推测理论。
三十年机构历史，硬核地下血统。
将权力的基础设施，视为艺术的原材料。
Shows展览
- 2026
- Wuhan Biennale (upcoming)
- Art Basel – Zero 10
- Boxes Art Museum, DongguanSolo (upcoming)
- Objkt.com (Kento)
- United Art Museum, Wuhan
- 2025
- Rectangle, Brussels
- Media Art Biennale, Hangzhou
- Victoria and Albert Museum, London
- HEK Virtual
- PAX Cube, Basel
- Digital Art Mile, Basel
- 2024
- Busan Biennale 2024
- KW Institute for Contemporary Art, Berlin
- HEK, BaselSolo
- Museum of Modern Art, Warsaw
- International Contemporary Art Center, IașiSolo, collab w/N. Thompson
- Museum of Contemporary Art & Planning (MOCAUP), Shenzhen
- AI Biennale, Essen
- Museum Villa Stuck, Munich
- [Senne], Brussels
- Poriginal Gallery, Pori
- CDMX Chaparro Gallery, Mexico City (The D1cks)Solo
- Online Tribute to Herbert W. Franke (Nextlove)
- The Hatcham Gallery, Goldsmith London (Creative Machine)
- 2023
- CCE, Mexico City
- Kunstraum Lakeside, Klagenfurt
- Expanded.Art Online / König Galerie
- HEK Virtual
- Sunway Gallery, Malaysia
- KW Institute for Contemporary Art, Berlin (Digital Commission)
- ISEA, Paris
- Galerie ARTECONT, Vienna
- UTS Gallery, Malaysia
- 2022
- CAFAM Techne Triennial, China (Topologies of the Real)
- Centro de Cultura Audiovisual de Gran Canaria (In good company)
- HEK Basel (Net.Works)
- Les Abattoirs, Toulouse
- Biennale.no (Online)
- MMK Klagenfurt (Closed Futures)
- 2021
- Liverpool Biennial 2021
- Whitney Museum, New York
- Louvre, Paris (Hybrid Spaces)
- Postmasters, New York (Gas Station)
- Hanshan Art Museum, Suzhou (Avatar: My Metaverse)
- NFT NYC, New York
- Panke Gallery, Berlin (150)Duo show with Constant Dullaart
- Gazelli Art House, London (UNINVITED, with Nye Thompson)Solo
- Electroputere Gallery, Craiova (UNINVITED, with Nye Thompson)Solo
- Koenig Galerie, MISA
- HEK Basel/Goethe Korea (Human Machine Interaction Online)
- MEIAC, Badajoz (Algorithmia)
- The Back Room, Kuala Lumpur (FAC3D)
- Avalanche, London (UNINVITED)
- Zentrum für Netzkunst Berlin (Statistik der DDR)
- 2020
- Chronus Art Center, Beijing (We=Link Sideways)
- 16th Athens Digital Art Festival, Athens (Technotribalism)
- Furtherfield, London (UNINVITED, with Nye Thompson)Solo
- Plataforma, Bogota (BREITBART RED)Solo
- Avenida Sonora, Mexico City (El Festival del Silencio)
- Digitale, Düsseldorf (D1G1TAL S3CR3TS)
- MACRO, Santa Fe, Argentina (Selfportrait)
- Valletta Contemporary, Malta (They Were Told That Money)
- Kasseler Kunstverein (At Home)
- 2019
- Somerset House, London (24/7)
- Azkuna Zentroa, Bilbao (Open Codes)
- Haifa Museum of Art (Power, Truth, and the Post-Truth)
- Seoul Museum of Art SEMA, Seoul (30 Years WWW)
- Biennale of Soncino, Cremona (The Best over the Rest)
- HMKV, Dortmund (The Alt-Right Complex)
- Singulart, Kiev (BREITBART RED)Solo
- Teletext ORF, ZDF, SRF (Teletext Art)
- 2018
- Wei-Ling Contemporary, Kuala Lumpur (Paralogical Machines)
- Electromuseum, Moscow (Mad Money)
- ACCA, Melbourne (Lines and Spaces)
- The Current, New York (Truth)
- Digital Art Biennale, Warsaw (Near-Field Communication)
- Roehrs & Boetsch Gallery, Zurich (Algorithmic Lifestyle)
- Kunsthalle Exnergasse, Vienna (Löcher in der Wand)
- Contemporary Art Gallery of Viareggio (Videoformes)
- MAC, Bogota (Conversations)
- NFCD Biennale, Gol/Norway (Near Field Communication)
- Reaktor, Vienna (Future of Demonstration)
- NFCD, Amsterdam (Near Enough)
- Videoformes, Clermont-Ferrand (Over The Real Focus)
- Weisses Haus, Vienna (Current Signs)
- 2017
- ZKM, Karlsruhe (Open Codes)
- National Art Gallery, Sofia (Post and Beyond)
- Ditch Projects, Springfield (Binary Primitivism, We Told You So!)Solo
- LIMA, Amsterdam (Chinese Coin)Solo
- Galerie Charlot, Paris (Dadaclub)
- Galerie Falko Alexander, Cologne
- The Wrong Biennial, Online
- Azkuna Zentroa, Bilbao (Plastic Planet)
- Natlab, Eindhoven (Economia)
- Leeum, Samsung Museum of Art, Seoul (City Interventions)
- DOCLAB, Hanoi (Polarized Medicine)
- HKW, Berlin (Les Rencontres Internationales)
- Institut français de Maurice, Beau Bassin-Rose Hill (Post-Internet)
- FACT, Liverpool (How Much of This is Fiction)
- Framer Framed, Amsterdam (The Trickster in Tactical Media)
- ADAF, Athens (Postfuture)
- HEK, Basel (How Much of This is Fiction)
- EZLN Online Festival, Mexico (Art, Resistance & Rebellion on the Net)
- Kunsthal Charlottenburg, Denmark (Whistleblower & Vigilantes)
- X and Beyond, Copenhagen (Strange Ecologies)
- Societe, Brussels (Modus Operandi)
- The Moving Museum (Technostalgia)
- International Animation Film Festival, Baden (Smack My GIF Up!)
- Polytech. University Valencia (The Beep Electronic Art Collection)
- 2016
- Kunstverein in Hamburg (Fluidity)
- Société Brussels (Monochrome)
- HMKV Dortmund (Whistleblower & Vigilantes)
- Nadežda Petrović Gallery, Belgrade (Before The Court)
- Klovićevi Dvori Gallery, Zagreb
- Museum of Contemporary Art Zagreb (Extravagant bodies – Crime and Punishment)
- ARD Teletext (Monster High)
- Swissnex, San Francisco (ReDada)
- OK Museum, Linz (Skandal Normal)
- Plugin, Winnipeg (Deephorizon)
- 2015
- ZKM Karlsruhe (Global Control and Censorship)
- Museum für Angewandte Kunst, Frankfurt (Hamster, Hipster, Handy)
- Krinzinger Projekte, Wien (CCC#4 Mankind/Machinekind)
- ICA Miami (Open Call)
- Swiss Art Awards, Messe Basel
- Siggraph, Los Angeles (Enhanced Vision)
- Neon Festival, Dundee (Chinese Coin)
- Kunstraum Niederösterreich, Wien (Social Glitch)
- Mahatma Gandhi Institute, Moka, Mauritius (Psychos)
- Fact, Liverpool (Group Therapy)
- 2014
- Serpentine Galleries, London (Extinction Marathon)
- Contemporary Art Fair, Istanbul (Plugin/Chinese Gold)
- MoMA PS1, New York (Christoph Schlingensief, NAZI~LINE)
- Art Brussels (Carroll / Fletcher Gallery, Vote-Auction)
- Pixxelpoint Festival, Nova Gorica (This is not art)
- City Gallery, Ljubljana (Net.Art Painters and Poets)
- 2013
- Kunsthall, Aarhus (SYSTEMICS #2)Solo
- ArtScience Museum, Singapore (Deephorizon)Solo
- Gyre, Tokyo (Money after Money)
- The Wrong Biennale, Online (Beyond Resolution)
- Kasseler Kunstverein (Hardcore)
- MoMA, Ljubljana (1:1)
- DAM Gallery, Berlin (Summer Splash 2)
- The Wrong Biennale, Online
- Ars Electronica Linz (Teletext Art)
- Halle 14, Leipzig (To Have and Have Not)
- ACC, Weimar (To Have and Have Not)
- CMR, Cornwall (Gaslighting)
- Teletext Art Festival, CH/AT/DE
- 2012
- National Museum Bucharest MNAC, Romania (Re:Made)
- HKW – Haus der Kulturen der Welt, Berlin (Dark Drives)
- 3331, Tokyo (Kraft – School of Energy)Solo
- Internet Cafe, Galway, Ireland (Speedshow)
- Goethe Institute, Johannesburg (Kraft – Let's Go!)Solo
- Fach & Asendorf Gallery, Online (Daily Doodle)Solo
- Museum of the Moving Image, New York (DVD Dead Drop)
- Enav Center, Tel Aviv & Saraya, Jaffa (Province)
- Fach & Asendorf Gallery, Berlin (ZIP Show)
- Museum of Contemporary Art Badajoz (Public Space)
- 2011
- Gwangju Design Biennale, Korea (Named)
- Centre Pompidou, Paris (Variation 1)
- WRO Media Art Biennale, Wroclaw (Alternative Now)
- HMKV, Dortmund (The Oil Show)
- British Art Show 7 (with the Otolith Group)
- Contemporary Arts Center CAC, Cincinnati (Is This Thing On)
- [DAM] Gallery, Berlin (Being Political is such a huge Trend™)Solo
- De Wereld van Witte de With, Rotterdam (Asylabwehramt)Solo
- Goethe Institut, Nairobi (WOPPOW)Solo
- Accademia Di Belle Arti, Venice (BYOB)
- Twente Biennale
- NiMK, Amsterdam (The Art of Hacking)
- Shedhalle, Zurich (Connect. Art between Media and Reality)
- Fach & Asendorf Gallery, Online (Friends)
- ASAP, Amelie Gallery, Beijing
- 2010
- Centre Pompidou, Paris (Les Rencontres Internationales)
- Eyebeam, New York (Re:Group)
- Young Art Biennale, Bukarest
- Center for Contemporary Art CCA, Tel Aviv (More Real Than Life)
- FACT, Liverpool (Space Invaders)
- Abandon Normal Devices, Manchester
- Article Biennale, Stavanger
- City Gallery Ljubljana (EKMRZ Trilogy)Solo
- Das Weisse Haus, Vienna (Asylabwehramt)Solo
- Internet Cafe Vienna (Speed Show Vol. 2)
- Galerija Galzenica, Croatia (White, Yellow, Blue, and Black, one Coincidence)
- 2009
- Prague Biennale 4, Czech Republic
- Cabaret Voltaire, Zurich (Superenhanced)Solo
- ZKM, Karlsruhe, Germany (Celebration of the Consumer YOU_ser 2.0)
- ARCO Madrid (EKMRZ Trilogy, Booth)Solo
- Fabio Paris Art Gallery, Brescia (Superenhanced)Solo
- 2008
- 16th Biennale of Sydney (Revolutions Online)
- Museo Reina Sofia, Madrid (Politics of Elections)
- PAN, Napoli, Italy (L'impresa dell'Arte)
- HKW, Berlin (Transmediale, Conspire)
- Dispari & Dispari, Reggio Emilia, Italy
- iMAL Bruxelles (Holy Fire. Art of the Digital Age)
- HMKV Dortmund (Anna Kournikova: Deleted By Memeright Trusted System)
- World Finance Center Courtyard Gallery, New York (Renascence)
- 2007
- The New Museum, New York (Google Art, or How to Hack Google)
- Edith-Ruß-Haus für Medienkunst, Oldenburg (My Own Private Reality)
- Laboral Art Center, Gijon (LABcyberspaces)
- Kunsthaus Dresden (Organic Living)
- EAF Experimental Arts Foundation, Adelaide (Seals)Solo
- Rex Gallery, Belgrade (Chinese Gold)Solo
- MOCA Taipei (ZONE V2)
- Israeli Center for Digital Art, Holon (Free Radicals)
- Laboradores Alameda, Mexico City (Im-Polis)
- Share Festival, Turin
- Círculo de Bellas Artes, Madrid
- MAK Flakturm, Vienna (UN-Space)
- 2006
- Moderna Galerija Ljubljana, Slovenija (Arteast Collection 2000+23)
- Art Center Nabi, Seoul (Connected)
- Fabio Paris Art Gallery, Brescia (Lilly Controls My Foriginals)Solo
- HMKV, Dortmund (Foriginal ART FID)Solo
- Akademie der Künste, Berlin (Smile Machines)
- La Casa Encendida, Madrid (Derivatives, new art financial visions)
- Alliance Francaise, Nairobi (Economy Class)
- Contemporary Art Institute, Copenhagen (Foriginal Seals, Overgaden)Solo
- Galerie Dana Charkasi, Vienna (Amazon Noir)Solo
- Factory 798 Art District, Beijing (Fields of Vision)
- Museo Municipal de Arte Contemporáneo de Madrid (Digital Transit)
- Art & Gallery, Milano (No Parachute)
- 2005
- Lentos Museum of Modern Art, Linz (Just do it!)
- MACBA, Barcelona (How do we want to be governed?)
- ICC, Tokyo (Open Nature)
- Ars Electronica Festival, Linz (Hybrid – Living in Paradox)
- [plug.in], Basel (Bankstatementgenerator)Solo
- The Premises Gallery, Johannesburg (Google Will Eat Itself)Solo
- Künstlerhaus, Vienna (Update)
- Neurotitan Gallery, Berlin (ABC)
- Biennale Ibicagrafica, Museu d'Art Contemporani d'Eivissa
- 2004
- Konsthall Malmo (Electrohype)
- Kunsthaus Graz, Austria (The Agency, Medienkunstlabor)Solo
- ICC, Tokyo (Art meets Media)
- Bcc Berlin (Wizards of Oz)
- 2003
- MUMOK Museum of Modern Art, Vienna (Online Actionism)
- Kokerei Essen, Germany (Soziale Technologien)
- Acer Digital Art Center, Taiwan (Kingdom of Piracy)
- 2002
- Expo.02 Switzerland (amj.ch)
- Madretor Gallery, Rotterdam (Noname)
- 2001
- Aldrich Contemporary Art Museum (At the Edge of the Law)
- SFMOMA, San Francisco (010101 Art in Technological Times)
- 1999
- New Museum, New York (Videodrome)
- map.jodi.org (etxtreme.ru)
Talks演讲
- 2025
- Spark Art Fair, Vienna
- HIFA, Wuhan
- GAFA, Guangzhou
- Making Space, Guangzhou
- Kampnagel, Hamburg
- 2024
- Panke Gallery, Berlin / KW Institute, Berlin
- RCA, London
- 38C3, Hamburg
- Belvedere, Wien
- Auditorium San Micheletto, Lucca
- 2023
- Wei-ling, Kuala Lumpur
- MMU, Kuala Lumpur
- ICAD 13, Jakarta
- Scena 9, Bukarest
- ETH Zürich
- Lakeside, Klagenfurt
- 2022
- Hochschule für Schauspielkunst Ernst Busch, Berlin
- HEK Basel
- Universidad Nacional de Colombia (UNAL), Bogota
- 2021
- Tsinghua University, Beijing
- Louvre, Paris
- 2020
- Masaryk University, Brno
- Gogbot Festival, Enschede
- University of Applied Arts, Vienna
- HKW, Berlin
- MMU, Kuala Lumpur
- Sunway, Kuala Lumpur
- Malaysian Design Archive, Kuala Lumpur
- Wei-Ling Contemporary, Kuala Lumpur
- IMPAKT, Utrecht
- Webfest, Bogota
- UCL, London
- Next Level Festival, Essen
- Rodchenko University, Moscow
- Videonale, Bonn
- Electroputere, Craiova/România
- Singulart, Kiev
- 2018
- Wei-Ling Gallery, Kuala Lumpur
- Academy of the Arts of the World, Cologne
- NRW-Forum, Düsseldorf
- Sunway University, Kuala Lumpur
- Malaysia Institute of the Arts, Kuala Lumpur
- dfi/KHM, Cologne
- ZHDK, Zurich
- University Wuppertal
- University Cologne
- PACT Zollverein, Essen
- Festival für Fotografie f/stop, Leipzig
- Academy of Media Arts, Cologne (Antrittsvortrag)
- Royal College of Art, London (Keynote)
- 2017
- HKW, Berlin
- Transmediale, Berlin
- DA Fest, Sofia
- Ars Electronica, Linz
- Lima, Amsterdam
- Den Frie Center of Contemporary Art, Copenhagen
- FACT, Liverpool
- University of Art and Design, Linz
- National Art Gallery, Sofia
- 2016
- LACMA, L.A. County Museum
- ZKM, Karlsruhe
- ETH Zürich
- Kunstverein in Hamburg
- Disruption Lab, Berlin
- NRW-Forum, Düsseldorf
- Machine Project, Los Angeles
- Krinzinger Projects, Vienna
- American University, Cairo
- Coded Cultures, Vienna
- University of Mississippi
- Gray Area, San Francisco
- HfG Offenbach
- DADS, Chicago
- Donau University, Krems
- 2015
- PACT Zollverein, Essen
- Mahatma Gandhi Institute, Mauritius
- Otto-Wagner-Krankenhaus, Wien
- 2014
- Haus der Kulturen der Welt, Berlin
- 30C3, Hamburg (Keynote)
- Supermarkt, Berlin
- Urban Knights, Vienna
- 2013
- Kunsthall, Aarhus
- Carroll / Fletcher, London (Artist Conversation w/ Ben Vickers)
- ICA, London
- ArtScience Museum, Singapore
- Migros Think Tank, Romainmotier (CH)
- Gessnerallee, Zurich
- 2012
- Hirshhorn Museum, Washington DC
- Künstlerhaus Vienna, Austria
- 2011
- Plymouth College of Art, UK (British Art Show 7)
- 2010
- Espace Niemeyer, Paris
- Lasalle College of the Arts, Singapore
- 2009
- ISEA, Belfast, Northern Ireland (Keynote)
- CA2M, Madrid
- 2008
- Dictionaries of War, Novi Sad, Serbia
- 2007
- Microwave, Hong Kong
- 2006
- Science Museum, London
- 2005
- Accademia delle Belle Arti di Carrara, Italy
- Ars Electronica, Linz, Austria
- 2004
- ICC, Tokyo
- FIPA, Biarritz, France
- University of Applied Arts, Vienna
- 2002
- Design Indaba, Capetown
- The Premises Gallery, Johannesburg
- 2001
- Berliner Theatertreffen
- Bundestag, Berlin
- Volksbühne, Berlin
- 2000
- CC17, CCC, Berlin
- 1999
- Cittadellarte-Fondazione Pistoletto
Publications出版
- 2025
- Violent Images
- Operationen in der Kunst
- Die Ästhetik der Enthüllung
- Entzug
- 2024
- Les cahiers du Mnam
- Art, Law, Power
- Weird Economies, Radical Customization
- 2023
- Kunstforum International, Happy Dystopia
- Curating & Hybrid Realities
- Poetics of Encryption
- The Black Box Book. Archives and Curatorship in the Age of Transformation of Art Institutions
- Yi, Silvan Hagenbrock Interview with UBERMORGEN
- 2022
- Kunstforum International, Themenband ‘Kollektive Praxis’
- Radical Customization
- After the Internet, Digital Networks between Capital and the Common
- Right Click Save
- 2021
- Widersprüche, Curatorial Learning Spaces
- Fabricating Publics
- Vote-Auction, Net.Art Anthology (Chinese Edition)
- Hacker Art: Languages and Materialities of Technological Difference
- Homo Viridis
- FAC3D, Exhibition Catalogue
- Coercive Disobedience: Art & Simulated Transgression
- 2020
- What Freedom is there in Coding?
- Coding, Ubermorgen's Attack: Acts of Social Sadism in Net.fantasy
- Abandon Normal Strategies (Cards)
- Art, Law, Power – Perspectives on Legality and Resistance in Contemporary Aesthetics
- 2019
- Vote-Auction, Net.Art Anthology
- 2018
- GWEI, MOOC on Art at the Digital Era
- Rehearsal of a network
- Medienkunst in der Schweiz
- 2017
- Everything is always (the liquid protocol)
- The Interface After the Interface
- Für eine operative Epistemologie
- FACELESS
- Interface Design and Subversion
- 2016
- Net.Art
- Killliste Statement #1
- 20 Years
- 2015
- Screenshots 2001–2015
- Lunch Bytes
- From Pixels to Politics
- Masaai Mbili
- Changer l'argent
- 2014
- Hacking
- The Project Formerly Known as Forkbomb
- Investigatory art: Real-time systems and network culture
- 2013
- userunfriendly
- Design Anthropology
- What's Next
- 2012
- Hans Bernhard, lizvlx
- Kunst, Krise, Subversion
- Speaking Code
- 2011
- In Your Computer
- Interface Criticism
- Content
- Coded Cultures
- Internet Activists
- 2010
- Art & Agenda
- Wirtschaft und Kunst
- The World of Digital Art
- 2009
- Media Hacking vs. Conceptual Art
- JODI, UBERMORGEN.COM
- Das hybrid Gesamtkunstwerk ubermorgen.com
- 2008
- The Art of Participation: 1950 to Now
- Designing universal knowledge
- 2007
- SUBversionen
- 2006
- GameScenes. Art in the Age of Videogames
- 2003
- Net.Art – L'arte della connessione
- Leaving Reality Behind: etoy vs eToys.com and Other Battles to Control Cyberspace
- 2002
- Leaving Reality Behind
- 2001
- Netzpiraten
- Literatur im Netz
- ‘Mutations’
Press媒体报道
Awards奖项
- 2023
- 2021
- 2019
- 2015
- 2015
- 2011
- 2009
- 2009
- 2008
- 2007
- 2006
- 2005
- 2005
- 2005
- 2003
- 1996
Collections, Commissions & Auctions收藏、委托创作与拍卖
- Serpentine Galleries, London
- Whitney Museum, New York
- Museum für Angewandte Kunst, Frankfurt
- Museum of Modern Art, Ljubljana
- National Art Gallery, Sofia
- Center for Contemporary Art, Tel Aviv
- New Museum, New York
- Abandon Normal Devices, UK
- International Contemporary Art Museum, Napoli
- MACBA, Buenos Aires
- Rhizome, New York
- ZKM Karlsruhe
- Collection HEK (House of Electronic Arts Basel)
- MUMOK, Vienna
- City of Vienna, Austria
- Ars Electronica, Linz
- PAX Collection, Basel
- Sammlung des Bundesamtes für Kultur Schweiz
- Shenzhen Museum of Contemporary Art and Urban Planning
- Phillips Auction House, London
- KW Institute for Contemporary Art, Berlin (Commission)
- VAN HAM Auktionshaus, Düsseldorf
- Francisco Carolinum, Linz